It’s 2009 though, so it’s time to give Lil Boosie another chance, but when “Lawd Have Mercy” comes up at random while scanning this album I’m immediately questioning that decision. He offers nothing but tired platitudes to being the “Bad Azz” that he is nicknamed, proclaiming how hard and how real he is to the point I’d happily accept it at face value if he’d shut up about it. Given all of those factors it’s quite perplexing that Boosie’s albums have been so boring. He’s also proven an ability to coin catchphrases, create chart-topping singles, and generally speaking when he makes a guest appearance on a track his 16 bars make it more interesting. The Baton Rouge native does have a few things going for him including a very distinctive high pitched flow and Louisiana drawl that stands out in the commercial rap scene. Despite what previous reviews may have indicated, I don’t hate Lil Boosie – I’m just totally underwhelmed by his releases.
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